
First, some quick Thunderbean news:
We’re cranking on sending out special sets this week – 8 in total! We’re trying hard to catch up on all of these and have this be the most productive year at Thunderbean. I’m particularly happy with this group of the special sets, and thanks to everyone who has contributed to these since it’s made so many of the real sets move forward. We also have two new ones (and all Lantz and all Columbia set) at the Thunderbean Shop, and will be working to get Rainbow Parades volume 2 out the door soon as well as several other official sets. I’m really enjoying seeing many longer-term projects finally out the door, and I know many of you are super happy about that too!
Now- today’s film!
The loveliest thing about this period in time is that we have good quality versions of so many things that used to be only available in both less-than-great versions and standard def. It still makes you wish that *everything* was already available, but that’s of course asking for too much!
For the things that are still not available in HD, having access to a good 35mm scan often suits the bill.
Christopher Crumpet’s Playmate (1956) is a feast for the eyes in its simplicity and ‘modern’ aesthetic. Directed by brilliant animator Robert Cannon, it’s full of both the design sensibility and beautiful animation you would expect. T. Hee takes credit for story (along with Cannon) as well as design, with the great Jules Engel simply getting a credit for color. It’s nice to see a credit for voice actors Marvin Miller and Marian Richman, who provided voices for the first Christopher Crumpet film as well.
The film starts out with Christopher Crumpet’s father making Christopher return a very blue dog, suggesting Christopher play with an imaginary friend instead. From there, it’s a fun little story featuring incredibly supportive parents, something I think a lot of us would have loved. I was lucky in that my own parents really tried to help me with artistic pursuits the best they could. If you did have supportive parents and they’re still around, show them this little film!
Seeing this 35mm print projected recently was a feast for the eyes, and I’m glad to be able to share that print here. Seeing a high definition version on these really make a difference- you see the textures of the paint, the self ink lines on the cels, the detail of grids and phone cords in one scene- and the beautiful quality of motion.
While I don’t see this as a top cartoon from the studio, I find it pretty enjoyable as a little piece of entertainment- and I applaud UPA for making films like this one for families that could work like an animated storybook.
Have a good week all!
The first one below is the raw scan of the film, which was negative. That’s how most pencil tests were screened, in negative form. No need to create a print – the pencil test was going to be thrown away after viewing. I took the liberty if inverting the neg and created a video with the image positive – easier to see the pencil lines. Enjoy them both.
– Jerry Beck